your new destination for stereoscopic communication
**CV
Ive devoted half my life to pursuits in stereoscopic communication and strive to understand it as deeply & throughly as possible. Although i will argue that all personal relationships with 3D begin when perception of stereoscopic depth develops, I consider a single powerful and profound experience to delineate the beginning of my serious interests, inquiries and approach to understanding what I consider a profoundly powerful and unique visual language. For the past 22 years I have dedicated myself to its active practice and study, spending the.
experience viewing stereoscopic imagery marked my personal communication experiencing consider my dedication to approach interests began in earnest 22 years ago, my investigations began after an event xxxx I too share this mark and consider my expand my investigations into personal, social & cultural relationships with stereoscopic communication
Which I in time, discovered nearly all stereographers seem to share. an identical origin story as to when their serious interests in 3D begin. The actual individual experiences may be derived is sometimes identical
What I have found the most fascinating is this moment is it’s permanence. It leaves an indelible mark, and can be recalled 5, 10, 25 years later, with the same detail and always with the same, great driving force. This, to me, is what a stereographer is made by and is the common origin nearly all of us share, this indelible mark that can cleave into time itself, and instilled into each of us our specific devotions to it. event cleaved a mark intoq us which we can identify in our timeline, and etched into each and every one of us, our personal devotions to it.
My focus on these events have led to broader investigations to my approaching the study of stereoscopic communication as a visual language. In the 22 years I have searched to reach an answer, I haven’t. and have led me to two main terminal points of research.
1- I research stereoscopic communication varieties and seek to catalog and define the various mediums, means & methods which stereoscopic communication can successfully be employed, take measures to understand the physical & energetic means, methods and mechanisms that define one stereoscopic system from another, as well as researching the histories of stereoscopic communications along with the various mediums and techniques they have employed.
2- I research physiological and psychological mechanisms involved with vision & perception and keep up with findings from neurological research
have been investigating individual, social and cultural relationships with stereoscopic communication for over 20 years.
PARALLAX-SHIFT was created to survive languages of stereoscopic communication and means to serve as a framework upon which all explorations may be explored. . in its each and every format and across its many mediums, through any of its manners, across any medium, or its many means and methods, and any iteration thereof. It means to serve as a foundation to support frameworks of support upon which all explorations can serve as a foundation fo which any frameworks of e upon which all explorations of of stereoscopic communications frameworks f a framework stereoscopic communication. . stereoscopic
I’ve. in its each and every format and across its many mediums, through any of its manners, across any medium, or its many means and methods, and any iteration thereof. It means to serve as a foundation to support frameworks of support upon which all explorations can serve as a foundation fo which any frameworks of e upon which all explorations of of stereoscopic communications frameworks f a framework stereoscopic communication. . stereoscopic
What makes a stereographer? By what scale can one be measured? How is one defined? Do you become one through the active practice of creating stereoscopic imagery? stereographer And how do e dyou define quality of collector of stereoscopic Every event noted is a events noted ib tieline were donated accomplishments Compensation of any kind 2015
. I study the overall patterns of the collective and individual recollections of memorable events where stereoscopic or holographic media was perceived with stereoscopic sight, including the experiences of “natural” stereoscopic pattern discernment in everyday real world life, such as what is known commonly as the “wallpaper effect”. My focus on these events have led to broader investigations to my approaching the study of stereoscopic communication as a visual language and have led me to two main terminal points of research.
Aquatinted with the amesake of my father initially assuming under false pretences only to discover his apprentice carriedon l ok
Ilicia Benoit
By
Anaglyph image of my Cousin and I back in 2001. Shot with my very first stereo realist
On April 14 2014 I Discovered the first stereographers i had ever met after 15 years. I immediately became the Spokesperson for the NYSA. Anaglyph by ej smith.
Hosted a NYSA stereoscopic video production ons, about a live stereoscopic performance piece which ran for two weeks at manhattans something theatre on 13&6.interview with Ikuo Nakamura and Something Greenfield..
Hosted 100 Years of 3D Film, Astor Ballroom/Marriott Marquis, Times Square, NYC. 1915-2015
Designed and fulfilled production on a commemorative T-Shirt with anaglyph placement graphic of historic and present day Times Square, leveraging disruptive 2 channel passive color filtration method disruptive 2 channel viewing and produced one limited run for day of event
Host and Interviewer for the NYSA Interview Series “3D Minimus Arkestra” with Ikuo Nakamura and Heyes Greenfield
Began holography instruction under Jason Sapan (aka Dr Laser) at Holographics Studios. Elementary level absorption and traction
Attended smpte meetings in nyc chapter as valet to the president
Produced the first run of anaglass for the nysa a series of glass prints of anaglyphic permissions included images nasa anaglyphs under the creative commons license. 7 omages in total were directly reprduxed and one transferred one image by hand which now exists as it onlg versions.
began initial outreach with Roman schmidt, kyle sharpe, dddhazan, jgogling. Testiimonials receved
Reqested and assied mentorshoip from pres
Hosted “100 Years of 3D Film” Centennial Celebration at the Astor Ballroom/Marriott Marquis, Times Square, NYC. 1915-2015
2016
Designed line of universal smartphone accerrories with american mass production and distribution in mind.
Designed commemorative TShirt with anaglyph placement graphic of historic and present day times square leveraging the disruptive fil 2 channel passive color filtration method disruptive 2 channel viewing and produced one limited run for day of event
Designed commemorative TShirt with anaglyph placement graphic of historic and present day times square leveraging the disruptive fil 2 channel passive color filtration method disruptive 2 channel viewing and produced one limited run for day of event
Designed and produced 2nd line the of NYSA branded merch, and created NASA themed glass anaglyphs as holiday party favors for the NYSA club members.
Created strategy and plan for nysa brand repositioning,
Redesigned nys logo
Designed murray lerner award under the direction of john zelenka
Solidified personal goals and laws
Encouraged to seek out alternative so
K
Discvered sda and started preparing myself dor asmissions
2017
Attended first sda conference
Attended first nsa conerence
Became a member the isu
Dedicated time to demands of 3d and solutions for all
2018
proposed paper idea based off chairs conference
Granted access to research library at the strong
Rewrote presentation night before, announced split authorship with eric kurand that morning for his deserved helpand to ear by exacmple.
Demoed the largest collective stereoscopic game system ever 1@1
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